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Benjamin Morgan's avatar

Fantastic article and I'm thrilled to meet another teacher experimenting with and enjoying the classic methods in their own life! You inspired me to lock in my own PAO system a bit more (I'm less efficient. I have a character for each 00-99, but not as good with the action and object. I often forget them and just image the two characters together in the location, somtimes with one character on the shoulders of another which does create a fun image sometimes- Barak Obama on the shoulders of my brother in law for instance). I've had great fun of using this for small benefits like knowing credit card numbers, knowing some phone numbers, door codes (easy) etc. I have many questions and would love to talk to you further. Here are some threads I'm wondering about:

Can memory arts change one's relationship to learning in a way that is undervalued by our biases about learning? Here I'm wondering about how our biases about learning are shaped by the enlightenment and a culture of literacy. Literacy is amazing of course and it's what I teach. But, a culture oriented around the printing press created assumptions about learning. Maybe there is something about memory arts that changes what learning means, that values a type of embodied learning more, and that puts a premium on the value of synthesizing information to create realtime context.

I'm wondering about relationship to something and how memory arts might be something that creates an enjoyment in learning? You mentioned that you enjoyed it. That's been my experience. I've largely noticed my students to enjoy it in the doses that I've experimented with in my class. A lot depends on the container. I have also experienced a type of burn out w memory arts or a type of godlike syndrome of I WANT TO KNOW IT ALL.

But it does seem true that knowing things about something...that is knowing them in your heart and your body and in an immediate way can create a type of enjoyment of something. My main curiosity about memory arts is in this category. For example, using memory arts to know characters and allusions relevant to the odyssey helped me to enjoy that epic poem more. It created a certain allowing for enjoyment.

Even just the fact that I recite many of the poems that we read now to my students from memory... I feel that has changed the vibe around how I'm teaching the poem. It's changed me in relationship to those poems. And of course it shows a different attitude towards poetry for my students...one that I think invites them in to a different kind of relationship with the poems. I'm not sure what I'm scratching at, but maybe you can help me if any of these threads seem interesting to you?

I'm broadly curious about the viability of memory arts in school contexts. The more I've learned about their history, it feels more like a shocking omission.

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Benjamin Riley's avatar

Holy smokes this is fascinating. I’m curious, when you construct the scenarios in your memory palaces, does it feel like you’re creating a story of sorts? Because apart from the chunking aspect of converting strings of digits to more familiar ideas you already know, it still seems extraordinary to me that you could chunk your way to 100-digit recall absent layering meaning on top of meaning, if that makes any sense.

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